Such a different process of culling the best albums of the year without regular blogging beforehand. Without the regular reviews and check-ins it’s a more daunting, from-scratch process to paw through the various offerings from our genre.
And it’s been a cracker year. In some previous years our first cut narrowed the best of the best to 25-30 great albums, but this year numbers more than 40 in the first cut. Some notables that deserve a mention:
– Depeche Mode return with their strongest album in many years promising more life for the band. The kind of life even old school fans could learn to look forward to again.
– Erasure release a holiday album that turns out to be their best since Nightbird. Haunting Xmas tunes with terrific originals, the likes of which we weren’t sure they could do anymore.
– Orchestral Manoeuvres in the Dark make good on the previously-mild promise of their comeback with a great return to form with English Electric.
– Technoir, one of Softsynth’s all time favourites come back without singer Julia Bayer, and with Steffen Gehring becoming “all of Technoir” for We Fall Apart and the results are uneven but surprisingly satisfying.
– Another Softsynth favourite, Diffuzion return with a fantastic EP that promises so much for their new album in 2014.
– Polly Scattergood ends the debate of “electronic, or no?” once and for all with her great album Arrows.
– Goldfrapp begin a debate of “electronic or no?” with a strangely unsatisfying new album.
– Vile Electrodes finally, at long last, released their debut full length album and it fulfilled the tremendous promise we knew the band had.
But what of the best? The cream of the electronic crop in this year of plenty? The choices were difficult but there were a “best”. To whit… Continue reading